Hari Kondabolu (via misandry-mermaid)
This is CRITICAL. Remember, the oppressors do NOT want to stop oppressing; they simply want you to endure it but be quiet about it AND not acknowledge how it impacts almost every choice you can make in life and how you navigate life itself. This is the core of bootstrap theory, a facet of the lie of meritocracy, as to why it is a disgusting and flawed concept.
This quote is EVERYTHING.
I’m not obsessed with racism. You’re complacent in white supremacy.
Walter Johnson, Soul by soul: life inside the antebellum slave market
This is the type of violence—from microaggressions to epistemic violence to emotional/physical violence to enslavement/genocide—that gets justified by asserting that the oppressor is “objective” and “logical” and thereby “credible.” As if there is objectivity in choosing to oppress. As if the emotions of entitlement, indifference, greed or hatred aren’t involved.
one thing i noticed after moffat took over doctor who is that all the speeches about how wonderful and vast and amazing the universe is were replaced with speeches about how great the doctor is
companions went from wanting to travel amongst the stars to wanting to be around the doctor
Not only does the data show that young people in general are going to the theater less with the largest drop (17%) occurring in the sought-after 18 to 25 demographic, but it indicates that movies that skew toward a male audience are performing worse than ever. That’s a big problem for Hollywood, considering that their male-oriented franchises seem to be garnering less female viewers than ever, too.
Could they be tired of seeing white dudes save the world? It certainly seems like it, as over time from Spider-Man 3 to Amazing Spider-Man 2, the webhead audience has gone from 54 to 61% male, and the Transformers movies have been following that trend with a now 64% male audience. In the old wisdom, that would’ve been great news, because those demographics were thought of as an endless fountain of money and numbers like those would’ve been seen as evidence that “girls don’t like sci-fi/comic book/[insert genre here] movies.”
But with both of the most recent entries in those franchises also hitting franchise-low domestic gross numbers, it’s well past time to rethink that and work on bringing back the female audience. The male audience isn’t cutting it, and women are getting tired of movies that don’t speak to them or accurately represent them."